Flash Showcase: Rus Khomutoff – Untitled


I OBLIVIATE MYSELF INTO THE WHOLE LIKE A NAKED FLAME A NAME BEYOND DESIRE/TO EXIST BETWEEN ETERNITIES WILD NOTHING WITH EYES OF THE SKY/AXIS INFINITY DICTIONARY OF OBSCURE BLISS/COME FORWARD WITH YOUR VISCERA & VIOLENCE AND SHARE MY WINGS/UNLEASH YOUR SPIRIT BENEATH THE RAMJET ALLEGRO TEMPLE OF THE NIGHT SKY A NEED FOR MIRRORS & COUNTLESS SKIES/SHAKE YOUR INFINESSENCE SLOT CANYON HIGHBREATH BIRDFLOWER OF MY BECOMING/PARACOSM OF NEX MEMORY FORAGING A MOMENT & SUMMONING UP A BLACK FLAME/ARM OF EXUBERANCE SHORE OF ELAN/VENUS ENDEAVOR MINISTERING BLITHE SPIRITS/REACTION OUT OF MY HEAD/AUTUMN CRY OPULENCE LIKE A TRIANGLE & A DUEL/MELANCHOLY OF TRIBE SAD CAFE IMMORTAL CREAM TERMINAL SYSTEM OF SYSTEMS/CHAMELEON CHARADE STAR CODE CHALICE WONDERMENT CYCLORAMA/MEMORYISANISLAND PYLONS OF RED DUST SNAKING WITH MELANCHOLY/A FACE OF GENIUS IN FULL MEASURE OF THE SPECTACULAR NOW/IDEAPHORIA SOMETIMES ALWAYS NEVER KARTHIK FLOW/NEON METAPHOR GHOSTROCK OF THE SPLENDID RUINS/MECHANISMS OF YOUTH TRY NOT TO UNDERSTAND IMPOSSIBLE POISON/EROTIC BIRD WHERE THE MOUNTAIN MEETS THE MOON/TENDER SYMMETRY GLASS ANIMALS LIFE ITSELF/OF RAPTURE DEEP INTO THE NIGHT THE ARMOR OF MANY THOUGHTS/THE LUNAR SCHISM IS RUNNING WILD


My name is Rus Khomutoff and I am an experimental poet in Brooklyn, NY. I have published 3 collections of poetry: Immaculate Days  (Alien Buddha Press), Radia(Void Front Press) & Color Poems (Orbis Tertius Press). My poetry has appeared in Triplov, X-Peri, Problematique, Grody mag, Proprose, isacoustic & Ink Pantry.

Flash Showcase: Bridget Set the Table by Elyse Russell

Bridget set the table because she always set the table.

Every evening at six o’ clock, she laid out the dishes, the silverware, and the glasses. She put out a fresh vase of flowers for a centerpiece. Every evening at six o’ clock for the last forty-seven years, Bridget set the table.

Then she would go into the kitchen to bring out supper. A roast, stew, or ham; she had several cooking staples and she rotated through them like clockwork.

One day, she brought out a salad with homemade dressing, chicken parmesan, seasoned green beans, and warm rolls. Bridget made everything from scratch; there was nothing out of a box on her table. She was a wonderful cook: she knew it and took a measure of pride from it. That was why she worked for the most prosperous man in the county. And Mr. Tiller liked his dinner to be punctual.

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Flash Showcase: The Puzzle by Anthony Kane Evans

I.

I wasn’t sure I was in the puzzle until I bumped into a young man on the trail I was taking to the beach.

“Excuse me, can you help me?” he said. “I’m looking for the town centre.”

Then he put his hand up to his mouth and laughed a thin, reedy laugh. One of the thirty-six signs of the puzzle. I kept a straight face. I didn’t want the puzzle to know that I knew I was in the puzzle.

“Keep going in the opposite direction to me and you’ll get there,” I said.

“Thank you,” the young man said. “It’s a good day for the beach, I can see that. Perhaps I’m going the wrong way, after all.”

“No doubt you’ll find out when you get there,” I said.

“Yes,” he said.

II.

He did move off. I felt the puzzle’s grip lessening. I found I could think again. I’ve heard that you can sing nursery rhymes to yourself, thereby confusing the puzzle, keeping it busy, as it were, so that it doesn’t interfere so much with you. I sang Humpy Dumpty. I tried not to think of the beach but clutched my towel a little bit tighter.

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Flash Showcase: Telescope by Joe Howsin

Eyes open, fists clenched; teeth grinding, limbs limp; a shape, a shift; a whimper, a cry; a scream. This is how I wake up each morning. With routine, the terror I feel towards the shadow in the corner has dulled. No longer sharp, it is merely an ache. Yet still, each morning, I scream.

These days I don’t know why I get up at all. There is no job to go to, no friends to see. Maybe it’s for the coffee, or to escape the shadow.

Have you ever sat completely still because to move would be to hurl yourself into a rage? My blood thickens, lapping in viscus waves against straining eardrums. Electricity arcs across my muscles and burns me from the inside out. I twitch and jitter, shaking the cupboards, rattling plates, smashing a mug. I sink to my knees and collect the shattered rabbits lying in pieces on the kitchen floor. Their blood is thin and watery: a light brown fluid smelling faintly of earth and milk. I cry in shuddering tides over ceramic wildlife as the electricity continues to burn.

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Flash Showcase: After this period, screaming should be minimal by Leonie Rowland

Cracked, I think, from the moment it starts: one foot on the pavement & one in the canal, saying, I could get used to this. My feet, speaking, conscious; considering you, twisting away, walking with strange inflections. That photo I sent, where I am in a bathroom, and they are almost on their side. The buckles on my shoes touching the floor. Get used to it. Get used to being half here and half there; go for dinner with someone I love (not you (not you)); listen when they say, you are always gone after speaking to her; nod and know that I was gone already, eating somewhere else, fading into vacancy and viciousness, expressed somehow as compassion (towards the distance, which pulls us together and keeps us apart). I am shoulders and shockwaves, limbs I don’t want, texts floating to you across the sea. Cups of water between us, flooding everything, all we talk about: look at the body, watch it yawn and take me whole. My feet shouting synergies, my hands scratching the shore. Fingers holding you. 

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Flash Showcase: Thief by Lindz McLeod

Crooked trees beckon you like fingers. Bark wrinkles like elderly hands in motion. You walk on the path, lemon sherberts crunching under your boots. Yellow shards, coating your soles. Cherry drops coo from high above; their young are barely more than red dots, hiding behind their parent’s wrappers. Foil coins hang from branches as long as school rulers. You fill your pockets with strawberry bonbons until your blazer weighs as much as a lie. Cram mint humbugs into your mouth, between gum and cheek. Class hamster-cute.

On the beach, a pink piggy bank—twice the size of a truck—naps, half-buried, in the sand. It is labelled. This is not your name. You drop to your knees and scrape away the wet sludge. The coin slot is exposed. You fit your arm inside. You grope around. It is empty.

Twenty yards out from the shore, another pink piggy bank is drowning. You wade into the creamy waves. The cola water fizzes around your calves. You dive down. You pick starfish off the sides, peeling them back limb by limb. This piggy bank is labelled too. This is not your name. Nothing rattles inside. No sunken treasure. No chest of dark jewels or gold coins stamped with different kings or strings of milky pearls or silver goblets or gem-encrusted daggers. Nothing you can sell or trade. Breaking the surface of the waves, you stumble to your feet. Your face dripping with carbonated shame.

You glance back at the shoreline, wondering if it’s not too late. It is too late. The trees have lurched onto the beach to watch. Faces made of nested leaves. Each expression shucked from the last like dead skin. Scabbed wounds, which have never really healed. Too dense to understand your drive. Too compact to understand your need.

You were greedy, once. You were greedy. Weren’t you?


Lindz McLeod is a queer, working-class, Scottish writer who dabbles in the surreal. Her prose has been published by/is forthcoming in Hobart, Flash Fiction Online, the New Guard, Cossmass Infinities, and more. She is a member of the SFWA and is represented by Headwater Literary Management.


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Flash Showcase: Earthbound Nebula by Ava Kelly

Image Credit: Ava Kelly


When it approached, it was slow. Passive enough to get close, unencumbered by human worry, graceful enough that its scarlet brilliance had exalted awe instead of fear.

I remember Pops, sitting on the back porch in that old squeaky chair, scratching his forehead, saying, “It’s gotta be something else. Aurora my ass, look at it.”

I remember Kiddo blinking at me, a couple of decades later, asking, “Why’s it so pretty, Daddy?” and, “Do you think we can touch it someday?”

I’d answer the same—nothing at all—because any words tasted like ash on my tongue. There had been one action to take, and one action only; even my twelve-year-old self knew. Study the earthbound nebula, comprehend it at all costs.

***

When it hugged the Earth, we didn’t notice, too preoccupied with measurements and suppositions and models. Too close to see. Kiddo used to tell me, when he got tall and broad-shouldered and voice-thick, that it governed my life. It had dragged me through school, through the long hours in the lab, through loss and pain, through stolen tenderness. I sigh, even now, at the memory of his angry frustration.

“We must understand,” I used to say. “Maybe it’s sentient. Maybe it also wants to understand.”

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Flash Showcase: Dissonance by Bernardo Villela

Did I awaken in a dream or dream I was awake?

I’d been drifting into twilit sleep, but did I make it? I saw nothing but blackness everywhere.

Not darkness, even when one wakes in a pitch black room there’s a sense—even if it’s subconscious—of a location, time or an innate feeling that things are there but unseen. When your pupil dilates, it comes to you.

This wasn’t blindness but absolute vacuity, I knew I could see, but there was nothing to see.

Light was derelict. Was it slowed, blocked, had it vanished?

Panic wasn’t within me, but an amalgam of ambiguous emotions: the feeling of awakening when you didn’t realize you fell asleep, the feeling of impending mini-apocalypse as a dreaded appointment neared, the no-man’s-land between déjà vu and jamais vu. As I couldn’t take the world as is nor could I imagine a new ideal, was this a new manifestation of Weltschmerz?

In my mind’s eye, which was unclouded, I saw bubble galaxies imbuing new realities. Was that something I sensed by some latent ESP I’d triggered or was that a dream, a daydream or a nightmare?

I felt weightless which was surreal. It was unearthly yet, as I took a step my movement wasn’t slowed and I touched back down onto solid, indiscernible ground. I was not aloft, nor paralyzed, but benumbed.

Seeing blindly, moving unfeeling; how could this be?

Looking down I saw my legs and hands. Another conundrum: There’s light hitting me and nothing else. What was the source of this light? Is it me?

Impossible. Yet, it seemed to be unless most basic tenets of physics no longer applied.

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Flash Showcase: Suckers by Gavin Jefferson

“If you can sign here, and here,” he said, pointing, “and here, here and here, you’re good to go.”

He perused the contract slowly, reading the words over and over in his mind. “I don’t know.”

“What are you worried about?”

“What if it doesn’t work?”

“Well ….” He shrugged his lips. “You’ll be dead.”

“That’s what I’m worried about,” he sighed.

“If you’d rather not, then I understand. It’s experimental, but revolutionary technology. I admit, we haven’t figured out how to revive the dead yet, but we will.”

“Are you sure? I mean; how close are you to cracking it?”

“Close,” he nodded frantically, “very close.”

“Within weeks, years, what is it?”

The man smiled and pulled the contract from the table. “I can see that this is not for you,” he said, folding the paperwork.

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