The Internoise by Ellinor Kall

Choices too granular. Illusion of will. Trapped in hyperfreedom. Triage of prayers, conveyers and the ephemeral hellmachine. The gravity of reality distortions. What gains attention gains value. Event currents. Too many zeros multiplying the messages. The manicfacturing of junk thoughts in pursuit of revenue instead of renewal. Pararotting vomitted words to fill in the added gaps. Transsentenced entirely by non-breaking spaces. Carriage makers of reverberating noise. Carpenters as content producers. No nutrition in sawdust. Kids taste everything and numbed adults learn to eat anything. Pointless rumination without stomaching it. Widespread digital coprophagy. The dark ages, the enlightenment, the dazzlingment – so fucking much of everything at once. Lost in formation. Forgetting stars. Every number becomes either null or infinite. Zebra patterns all over reality. The path goes to sephira eleven. Trapped in fiction. We need an anti-thought to this affliction.


Ellinor Kall is a liminal writer who grew up kinda lost among the forests and mountains in northern Sweden. A queer shadow with sparks in between worlds. Born out of emotion and will, glamorized photos and words. Once quoted saying: “I’m not lost, I just don’t know where I am.” Maybe that says it all.

Visit ellinorkall.com for more demi-fictional essays, poetry and ideas.


Header Image Credit: Gareth David via Unsplash.

The Gardener

Orchids Lantern, thoughts of a writer

Ideas grow in the mind organically, like flowers in a garden. Now and then a gardener comes along to sprinkle some water and tear out the weeds, and we are grateful that the more exuberant species can thrive once more. Sometimes the gardener cuts the heads off the fullest of rosy ideas, and though we mourn them for a time we know that he only does so in order that more will flourish.

But sometimes the gardener does the strangest thing: he takes the best of all the different kinds of flowers – picks them right out at the root – and puts them together in a vase until they die. He draws pleasure from this act, as though he were honouring his produce in allowing it to fulfil its purpose. As though declaring them beautiful and arranging them in his preferred manner makes them more valid. Those flowers, those ideas, are complete. In their final configuration they are the best they will ever be, and the gardener prides himself on capturing that moment. Because he knows, I suppose, that more will grow.

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The key to raising orchids lies in their roots. We need to understand what makes them different to help them to grow in a potted environment.”

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