Abyss: Stories of Depth, Time and Infinity is OUT NOW!

Are we more than the sum of our memories? Does time always pass the same or can it be influenced by thought? What happens to consciousness after death?

This is our second anthology – an exciting mix of horror, science fiction and experimental prose exploring these questions and many more. With contributions from:

William F. Aicher
Jasmine Arch
Mark Bolsover
R. A. Busby
Merl Fluin
Robert Guffey
Ayd Instone
Thomas Kendall
Tomas Marcantonio
David McAllister
Ross McCleary
L. P. Melling
Soumya Sundar Mukherjee
Kurt Newton
Stephen Oram
Nadia Steven Rysing
Vaughan Stanger
Antonia Rachel Ward

Buy now directly from our shop and get free shipping in the UK!

Also available from Amazon (where it is currently #1 in the Hot New Releases for Horror Anthologies), Waterstones, Barnes & Noble, Book Depository and many more.

Want to read it but not ready to buy? Why not add it to your list on Goodreads?

We’d love to know what you think, so please leave a review if you can. We will link to our favourite ones here on the website.

Abyss: Stories of Depth, Time and Infinity

The paperback of Abyss: Stories of Depth, Time and Infinity is now available for pre-order on our shop and the ebook from Amazon. I’m so excited to finally see this come to fruition!

With contributions from:

William F. Aicher

Jasmine Arch

Mark Bolsover

R. A. Busby

Merl Fluin

Robert Guffey

Ayd Instone

Thomas Kendall

Tomas Marcantonio

David McAllister

Ross McCleary

L. P. Melling

Soumya Sundar Mukherjee

Kurt Newton

Stephen Oram

Nadia Steven Rysing

Vaughan Stanger

Antonia Rachel Ward

Book Response: Tomorrow by Chris Beckett

“Tomorrow I’m going to begin my novel.”

Thus begins Chris Beckett’s latest novel, Tomorrow. A single sentence that said so much to me. At once a knowing nod, a jibe, an amusing paradox of sorts. Because I am putting off my novel – if not starting it, at least from tackling it in earnest – and for the same reasons as the protagonist of Tomorrow: I want it to be a novel about everything. It’s unwieldy, it grows in all directions whenever I spend time with it, try to pin it down.

It is the promise of a novel to beat all other novels – ‘chasing a mirage’ – that keeps the protagonist (and me) producing, exploring; and yet it is also what keeps us dissatisfied. The feeling is one.

Sometimes I wonder whether it will always be the case that I will have ‘the novel’ looming over me, the MacGuffin that keeps me moving, but that the real body of work is what happens incidentally in the peripheries. The preparation, the experimentation, the spin-offs and the alternate takes. Often the most interesting things happen by accident or on whims, so doing something wonderful on purpose can seem like a futile pursuit.

Continue reading “Book Response: Tomorrow by Chris Beckett”

Flash Showcase: Fritter by David Lawrie

1.

The story only ever goes one way.

2.

The fragment reads:

“…and I leave you now as you left me, with nothing but wretched words and bleeding ink. I do not understand your letters anymore, Hombre. They may loop from your pen with indubitable grace but I receive them with a senseless mediocrity. I will not accept the blame of you. I will always be behind you, Hombre. I am all over you. It is senseless imprisonment, and I, who have never wronged you, who saw nothing beyond the kindness in your heart, I am the one serving my sentence in your shadow.

I am watching your progress with the control that I have yearned for.

It is in my pain that I will haunt you so. And it is with lustful violence that I shall one day rise up, a malevolent presence over you. As my ink stains the purity of this parchment now, so shall I stain the fabric of your immortality. You will not be able to shake my ghost. You will not be able to claw the words of my testament from…”

Continue reading “Flash Showcase: Fritter by David Lawrie”

Flash Showcase: Acid to the Bone by A.J. Van Belle

Kell wiped red paint from her hand onto a boor-tree-fiber towel and studied her creation. The crimson streaks glowed in the diffuse light from her bedroom window. All one color, an entire tube of alizarin used on one small paint board. The paint’s thickness determined the darkness or lightness. No recognizable figure graced the image, but the strokes suggested movement. An arm flung wide. A tapered back arched in dance. Transition from standing to leaping.

She frowned at her work. It wasn’t good enough.

She went to the window, wishing it were safe to go outside. Beyond the glass, rain dripped from curling fronds. Acidic slime, an oocyte that lived everywhere on this planet, dropped in sloppy masses from the branches of the treelike organisms in Kell’s neighborhood. She let her faint reflection fill her field of view and disappear as she pressed her nose to the cold glass. Her breath made a misty circle. Stories of going outside to play filled her head, tales she’d heard since infancy. All the classic stories came from Earth, the broken place that could only support a few thousand souls now, in cities that shielded their residents from the weather extremes wrought by global warming.

Here, on Kell’s home planet, children didn’t play outside. The oocytes would melt your dermis. The warnings echoed like a hiss, first as the voices of the adults around you and then from the mire of your own brain, never to be erased: The oocytes’ll burn your skin. They’ll eat you to the bone.

Continue reading “Flash Showcase: Acid to the Bone by A.J. Van Belle”

Book Review: Chroma: Calanooka by Carlie Martece

Review by Aaron Lee

This review contains spoilers.

Chroma: Calanooka is the third book in the Constructed Sanity series by Carlie Martece, who has brilliantly woven another story that plays out on multiple levels: this is not simply a book to read, but to interact with.

We follow our neurodivergent protagonists, Leandra and Cal, through the desert to a little town called Summerton. They have difficult lives, trying to survive in a world that does not care about them. They are visited by Kalakai, an alien, who tries to recruit them for cosmic battle and warns them things may get worse before they get better.

Continue reading “Book Review: Chroma: Calanooka by Carlie Martece”

Book Review: MUNKi by Gareth Southwell

The synopsis:

What price would you pay to live forever?

The winter her grandfather died, Cari Silvestri swapped her home town for a new life. But the past is not so easily outrun. Almost ten years on, Grandfather returns, his stolen memories repackaged by technology giant Merrywhile Industries as a slick marketing promo for their latest project: digital immortality. But when no one believes her, Cari’s search for proof and answers gradually draws her into a lawless digital underworld.

Mel Faith is also haunted by the past. Her journalistic career circling the drain, she finds herself still obsessed with the one piece she never filed – the tragic history of Michael Sommeil, grandson of Merrywhile’s founder. It’s a story with few leads and fewer prospects, but at whose heart – she’s sure – a secret still sits untold.

As their paths intertwine, the two women enter a world of masks and aliases, of mercenary hackers and corporate spies, and where, underlying it all, is the hunt for the Singularity – the point, both feared and hoped for, where AI will finally surpass human understanding, and nothing will ever again be the same.

Continue reading “Book Review: MUNKi by Gareth Southwell”

Writing the Self

One of my major interests is inner worlds: the subjective experience of being human. Perhaps, then, it goes without saying that I love to write the self, and I love to read the personal accounts of others. So I’ve been thinking about the different ways we choose to do this, and in particular the various methods available for presenting it. Here I share some distinctions I’ve made along the way.

Autobiography is the most ‘objective’ method for writing the self, with the aim of presenting events as they really happened. It will usually (but not always) be in chronological order and span most of a lifetime.

Memoir is a collection of memories from a specific aspect or time period of the author’s life. It is usually presented in an entertaining way, with some distance between the narrator and the subject, some hindsight, but also some intimacy of emotional context.

An Autobiographical Novel is the semi-fictionalisation of real events. It puts more distance between the narrator and the subject, and allows the use of plot devices, imagined events or characters, and heightened drama. There is an expectation that the author will do this not in an attempt to mislead, but to make the text more attractive to readers. Like memoir, autobiographical novels will usually cover a specific aspect or time period in the author’s life.

Continue reading “Writing the Self”

Book Review: Calibration 74 by William F. Aicher

I knew this book would be for me as soon as I read the description: an experimental, poetic, flow-of-consciousness exploration of reality, fantasy and all the spaces in between. Yes please!

This is the kind of book you bring yourself to, in that you’re never 100% sure whether your experience is what the writer intended or whether you pasted your own meaning over the top of their words. There’s enough continuity, enough thread to hang onto, to make the text flow through an arc, but it also leaves a lot to interpretation.

I read this as the narrator delving into and confronting his own psyche. Perhaps it comes from knowing this was written during the first pandemic wave, when many felt isolated and helpless, but I see someone grasping desperately at straws to find meaning; someone left alone with his thoughts and falling deeper into their clutches. He picks at scabs, seeks out dark corners, obsesses over repeating motifs and patterns, and he digs.

Continue reading “Book Review: Calibration 74 by William F. Aicher”

Patti Smith, Trains of Creativity, and the Little Things We Notice

I’ve been reading Just Kids by Patti Smith and I don’t want it to end. I’m not sure what it is that I find so spellbinding about her writing, but it was the same with M Train when I read that last year. Like a pair of comfortable boots, I’d live in them I could.

M Train begins with the line: “It’s not so easy writing about nothing.” And you may be fooled into thinking it is a book about nothing. Patti talks in streams about coffee, cafes, wandering, memories, books, waiting, superstition and coincidence with little linearity or focus. But in showing us what her down time looks like, she shows us the profound. Poetic vision isn’t some gift radioed in from another world; it’s in the everyday, in the gaps between ego events. Our art is in the little things we notice when we think we’re doing nothing. And sometimes there is no point, no single focus of meaning. Sometimes the only thing we need to take away from an experience is our own natural response.

“Life is at the bottom of things and belief is at the top, while the creative impulse, dwelling in the center, informs all.”

For me, M Train was itself on a trajectory of synchronicity. It was exactly a year on from writing Mind in the Gap (which has a main character called M and a string of wacky experiences on trains) that I noticed it, and I was still at a bit of a loss as to what I would do next. I’d been playing about with some ideas, redrafting an old novel, but nothing seemed to gel. Then, somewhere between the lines of Patti Smith’s nothing, I started thinking about my own nothing. And, from a stream of consciousness style notebook I kept on a trip to London, I got a good start on the novella that is to become Endless Circles. Something comes from nothing.

Continue reading “Patti Smith, Trains of Creativity, and the Little Things We Notice”

Blog at WordPress.com.

Up ↑