I am thrilled to announce that Orchid’s Lantern will be publishing Stephen Oram’s latest short story collection next year!
Extracting Humanity is a thought-provoking collection of near-future fiction, inspired by conversations with artists, scientists, and technologists.
Stephen has already had stories featured in our anthologies Vast and Abyss, and his novel Quantum Confessions was one of the very first books to be reviewed on Orchid’s Lantern, so it’s a pleasure to be working with him again.
You can read more about Stephen and his previously published work here.
We are busy working on a print edition of our first journal, Dreams, which will be available exclusively on our website and in the Book Nook. We have an awesome line-up of writers, poets, and artists. Another thing to look out for in November!
After listening to your feedback, and considering lessons learned from previous projects, we are pleased to announce a new format for submissions at Orchid’s Lantern. The website will now operate as a quarterly online journal, opening for set periods throughout the year, with a fresh theme every 3 months. There will then be an annual print journal, collecting all accepted submissions from the previous 12 months together with some brand new material from invited authors.
Our first theme is Dreams! Tell us your wildest. Explore the visions, the language, of sleep. Think surreal and peculiar; think repeating motifs and layered metaphor. Imagine a precognitive unconscious, paralysis, waking up in a different land… Surprise us. It’s up to you.
Are we more than the sum of our memories? Does time always pass the same or can it be influenced by thought? What happens to consciousness after death?
This is our second anthology – an exciting mix of horror, science fiction and experimental prose exploring these questions and many more. With contributions from:
William F. Aicher Jasmine Arch Mark Bolsover R. A. Busby Merl Fluin Robert Guffey Ayd Instone Thomas Kendall Tomas Marcantonio David McAllister Ross McCleary L. P. Melling Soumya Sundar Mukherjee Kurt Newton Stephen Oram Nadia Steven Rysing Vaughan Stanger Antonia Rachel Ward
Buy now directly from our shop and get free shipping in the UK!
I would love to showcase a new flash story, prose poem or piece of creative non-fiction on the website every week. Pieces will be submitted on a voluntary basis at first, with the view to making this a paid opportunity in future if it is successful.
Stories should have fewer than 1,000 words and must be in keeping with our preferred themes and interests:
Philosophical, psychological, mystical or scientific concepts explored through fiction
Autofiction and Creative Non-Fiction
Imagining the future
Consciousness (ordinary and altered)
Stories may be part of something longer but must also function as self-contained pieces.
Stories may have already been published elsewhere, as long as your submission to us doesn’t violate any terms you have agreed with other publishers.
You can submit again if you have been accepted before, but only one submission at a time please.
Send submissions to Caroline via firstname.lastname@example.org with ‘Showcase’ in the subject line. Stories should be attached (not linked to) along with a short bio as you would like it to appear on the footer of your story if published. I will also accept links to your own webpages or stores for the footer. Word documents preferred.
If your story is accepted, I will aim to contact you within a week to let you know your showcasing date and any minor proofreading/presentation points.
Reminder: We are also open to submissions for our second anthology until 30th June. Details here.
Following the success of our first anthology, we are pleased to announce our second. Abyss: Stories of Depth, Time and Infinity will feature the very best fiction we can find on these metaphysical themes. We’re looking for high-impact experimental pieces, unique voices, streams of consciousness and fictional accounts of altered states. We’re looking for extrapolations and interpretations of reality as we know it, or visions of drastic changes. We’re looking for boundary-pushing, genre-bending, literary and speculative fiction. The entertaining will be juxtaposed – or combined – with the philosophical in this volume of big unknowns.
If you’d like to be part of it, please visit our submissions page for full details.
Micah Thomas is author of the Eudaimonia series – a unique blend of paranormal with literary fiction. In the final interview of our Writers on Lockdown series, he joined me to chat about isolation, spiritual teachers, and layers of meaning.
Hi Micah, welcome to Writers on Lockdown! How are things over there in the US, are you feeling as ‘locked down’ as us?
I have been a shut in for a few years. The isolation certainly has intensified as online friends focus on keeping themselves… I don’t know. Keeping themselves together.
Do you find isolation a help or a hindrance to your creative process?
My creative stages have an isolation mode, where I’m heads down working. The creation place is very private and I don’t like eyes on me. However, my sharing motion needs witnesses and that is tough right now. I’m releasing so much art and writing and it’s really not a good time for it.
So you’ve released two novels so far in the Eudaimonia series, when can we expect the third?
The final novel and the final volume of short stories will both be available in April. I’m formatting Evidence of Changes vol 3 as we speak. The novel will be formatted next month. Then I’m practically done with this Eudaimonia world. Kinda.
For those who aren’t familiar with your work, could you talk a bit about what the Eudaimonia world is?
Jonathan D Clark is author of philosophical novel Arcadia, and his short story The Video was published in our recent anthology, Vast. As part of our Writers on Lockdown series, he joined me to discuss isolation, paranoia, and the dark side of our relationship with technology.
Hi Jonathan, welcome to Writers on Lockdown!
Thanks for having me as part of this series. It’s a pleasure.
How are you surviving in these crazy times, do you find isolation is a help or a hindrance to your writing process?
I’ve always been a rather reclusive individual (going to and from my day jobs throughout the years without speaking to anyone), so besides the limitations on what there is to do around town—and having to snipe for groceries—not a whole lot has changed for me due to the lockdown. Although, it did give me the chance to tell my more extroverted friends “welcome to my domain.” And as for productivity, it did witness a spike in the first week, but it has since slowed back down to its original pace.
Are you working on anything at the moment?
For the past year I’ve been working on my next novel, along with the occasional short story here and there when I feel I need a break from the grand narrative.
Canyou tell us anything about the new novel at this stage, or is it top secret?
Unlike Arcadia, my current WIP (titled False Cathedrals) will have a more contemporary setting; taking place in 2012 in the fictional town of Midtown, Vermont—as well as a few chapters taking place in the mid-to-late 90s. At the heart of the novel is Daniel Bloom, a middle-aged psychotherapist who can’t seem to escape the haunting memory of his first wife, Karen; even after fourteen years have passed since her untimely demise at the hands of a crazed shooter, now dormant. Hoping to distract himself, Daniel puts all his focus into helping a patient find lucidity after well over a decade of uncertainty. But it doesn’t help when he hears that the shooter has started a new, violent rampage.
Chris Beckett is an Arthur C Clarke award winning science fiction author. He’s published six (soon to be seven) novels and dozens of short stories, often focusing on ‘inner’ as opposed to ‘outer’ space. I caught up with him to chat about isolation, metaphysics, and tribalism in modern society.
Hi Chris, welcome to Writers on Lockdown! So, how are you faring in these strange times? Is isolation a help or a hindrance to your writing process?
I’ve been having difficulty moving my writing forward this last couple of months, but this often happens – I simply dry up and can’t seem to write anything – and it may have nothing to do with the lockdown. However I do think my ability to concentrate (never brilliant to be honest) is worse than usual.
When the real world is stranger and more engrossing than usual – and I am finding it engrossing – it is perhaps harder to focus on imagined worlds?
In my life generally, I’d say I am finding the lockdown more interesting than distressing. I’m used to spending a lot of time by myself at home, and in some ways the lockdown is providing a stimulus for me to find ways of keeping more in touch with some people than I usually would, which is nice.
I have a little granddaughter – she is 13 months old – and I’m very sad not to be able to spend time with her, as the plan had been (until this happened) that I would be looking after her for one day a week.
I’ve heard from several writers that their creativity is at a low point. I wonder if being engrossed in new situations is all part of ‘refilling the well’ of inspiration. Do you think we’ll see a different kind of fiction emerge on the other side of this?
I think that’s exactly right about ‘refilling the well’. We have to stock up on life in order to have anything to write about. And none of us have had many experiences which are completely comparable to this one. (In fact a lot of writers have had pretty quiet lives generally, I suspect). I’m sure new kinds of fiction will come out of this, but I really don’t know what. This virus has changed life for everyone, but in so many different ways.
I wanted to talk in particular about your recent novel, Beneath the World, a Sea, which is full of strong, surreal imagery, questions of the unconscious and philosophy of mind. When so many science fiction writers are focused on future technology, what made you turn inwards and address the nature of consciousness?