Are we more than the sum of our memories? Does time always pass the same or can it be influenced by thought? What happens to consciousness after death?
This is our second anthology – an exciting mix of horror, science fiction and experimental prose exploring these questions and many more. With contributions from:
William F. Aicher Jasmine Arch Mark Bolsover R. A. Busby Merl Fluin Robert Guffey Ayd Instone Thomas Kendall Tomas Marcantonio David McAllister Ross McCleary L. P. Melling Soumya Sundar Mukherjee Kurt Newton Stephen Oram Nadia Steven Rysing Vaughan Stanger Antonia Rachel Ward
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Thus begins Chris Beckett’s latest novel, Tomorrow. A single sentence that said so much to me. At once a knowing nod, a jibe, an amusing paradox of sorts. Because I am putting off my novel – if not starting it, at least from tackling it in earnest – and for the same reasons as the protagonist of Tomorrow: I want it to be a novel about everything. It’s unwieldy, it grows in all directions whenever I spend time with it, try to pin it down.
It is the promise of a novel to beat all other novels – ‘chasing a mirage’ – that keeps the protagonist (and me) producing, exploring; and yet it is also what keeps us dissatisfied. The feeling is one.
Sometimes I wonder whether it will always be the case that I will have ‘the novel’ looming over me, the MacGuffin that keeps me moving, but that the real body of work is what happens incidentally in the peripheries. The preparation, the experimentation, the spin-offs and the alternate takes. Often the most interesting things happen by accident or on whims, so doing something wonderful on purpose can seem like a futile pursuit.
Chroma: Calanooka is the third book in the Constructed Sanity series by Carlie Martece, who has brilliantly woven another story that plays out on multiple levels: this is not simply a book to read, but to interact with.
We follow our neurodivergent protagonists, Leandra and Cal, through the desert to a little town called Summerton. They have difficult lives, trying to survive in a world that does not care about them. They are visited by Kalakai, an alien, who tries to recruit them for cosmic battle and warns them things may get worse before they get better.
The winter her grandfather died, Cari Silvestri swapped her home town for a new life. But the past is not so easily outrun. Almost ten years on, Grandfather returns, his stolen memories repackaged by technology giant Merrywhile Industries as a slick marketing promo for their latest project: digital immortality. But when no one believes her, Cari’s search for proof and answers gradually draws her into a lawless digital underworld.
Mel Faith is also haunted by the past. Her journalistic career circling the drain, she finds herself still obsessed with the one piece she never filed – the tragic history of Michael Sommeil, grandson of Merrywhile’s founder. It’s a story with few leads and fewer prospects, but at whose heart – she’s sure – a secret still sits untold.
As their paths intertwine, the two women enter a world of masks and aliases, of mercenary hackers and corporate spies, and where, underlying it all, is the hunt for the Singularity – the point, both feared and hoped for, where AI will finally surpass human understanding, and nothing will ever again be the same.
I knew this book would be for me as soon as I read the description: an experimental, poetic, flow-of-consciousness exploration of reality, fantasy and all the spaces in between. Yes please!
This is the kind of book you bring yourself to, in that you’re never 100% sure whether your experience is what the writer intended or whether you pasted your own meaning over the top of their words. There’s enough continuity, enough thread to hang onto, to make the text flow through an arc, but it also leaves a lot to interpretation.
I read this as the narrator delving into and confronting his own psyche. Perhaps it comes from knowing this was written during the first pandemic wave, when many felt isolated and helpless, but I see someone grasping desperately at straws to find meaning; someone left alone with his thoughts and falling deeper into their clutches. He picks at scabs, seeks out dark corners, obsesses over repeating motifs and patterns, and he digs.
I’ve been reading Just Kids by Patti Smith and I don’t want it to end. I’m not sure what it is that I find so spellbinding about her writing, but it was the same with M Train when I read that last year. Like a pair of comfortable boots, I’d live in them I could.
M Train begins with the line: “It’s not so easy writing about nothing.” And you may be fooled into thinking it is a book about nothing. Patti talks in streams about coffee, cafes, wandering, memories, books, waiting, superstition and coincidence with little linearity or focus. But in showing us what her down time looks like, she shows us the profound. Poetic vision isn’t some gift radioed in from another world; it’s in the everyday, in the gaps between ego events. Our art is in the little things we notice when we think we’re doing nothing. And sometimes there is no point, no single focus of meaning. Sometimes the only thing we need to take away from an experience is our own natural response.
“Life is at the bottom of things and belief is at the top, while the creative impulse, dwelling in the center, informs all.”
For me, M Train was itself on a trajectory of synchronicity. It was exactly a year on from writing Mind in the Gap (which has a main character called M and a string of wacky experiences on trains) that I noticed it, and I was still at a bit of a loss as to what I would do next. I’d been playing about with some ideas, redrafting an old novel, but nothing seemed to gel. Then, somewhere between the lines of Patti Smith’s nothing, I started thinking about my own nothing. And, from a stream of consciousness style notebook I kept on a trip to London, I got a good start on the novella that is to become Endless Circles. Something comes from nothing.
Micah Thomas is author of the Eudaimonia series – a unique blend of paranormal with literary fiction. In the final interview of our Writers on Lockdown series, he joined me to chat about isolation, spiritual teachers, and layers of meaning.
Hi Micah, welcome to Writers on Lockdown! How are things over there in the US, are you feeling as ‘locked down’ as us?
I have been a shut in for a few years. The isolation certainly has intensified as online friends focus on keeping themselves… I don’t know. Keeping themselves together.
Do you find isolation a help or a hindrance to your creative process?
My creative stages have an isolation mode, where I’m heads down working. The creation place is very private and I don’t like eyes on me. However, my sharing motion needs witnesses and that is tough right now. I’m releasing so much art and writing and it’s really not a good time for it.
So you’ve released two novels so far in the Eudaimonia series, when can we expect the third?
The final novel and the final volume of short stories will both be available in April. I’m formatting Evidence of Changes vol 3 as we speak. The novel will be formatted next month. Then I’m practically done with this Eudaimonia world. Kinda.
For those who aren’t familiar with your work, could you talk a bit about what the Eudaimonia world is?
Michael Walters is author of The Complex, an unsettling novel about the human psyche and its relationship with strangers and virtual reality. I caught up with him to chat about isolation, Carl Jung, and the importance of subtext in creating atmosphere.
Hi Michael, welcome to Writers on Lockdown! So, how are you faring in these strange times? Do you find isolation a help or a hindrance to your writing?
I’m faring well, thank you. I’m very lucky — I have a job that I can do from home, the kids are safe, and our parents are healthy. Being at home all the time with a full-house is challenging sometimes, but some people are going through hell at the moment, so I’m not complaining.
The lockdown is definitely not isolation for me. I like being alone. Being alone is the only way I can let my mind wander. I’m an introvert, so when I have to turn on the extrovert afterburner, I do need to recover. That’s really hard at the moment.
Are you finding the opportunity to work on anything new?
I wrote a short story in January and February which I hope will get published later this year. After finishing that, I wanted to get into my next novel, then coronavirus hit. I’ve been able to flesh out some ideas — I have a map of the location in my head, some characters, a few possible scenes, a title — but I haven’t started the first draft. The momentum is building. I hope I can finish a draft by the autumn. That might be hopelessly optimistic!
I wanted to talk a little about your recent novel, The Complex, which explores the psychological effects of unfamiliar spaces, both virtual and real. Can you tell us about the premise and how you came to write on this theme?
Jonathan D Clark is author of philosophical novel Arcadia, and his short story The Video was published in our recent anthology, Vast. As part of our Writers on Lockdown series, he joined me to discuss isolation, paranoia, and the dark side of our relationship with technology.
Hi Jonathan, welcome to Writers on Lockdown!
Thanks for having me as part of this series. It’s a pleasure.
How are you surviving in these crazy times, do you find isolation is a help or a hindrance to your writing process?
I’ve always been a rather reclusive individual (going to and from my day jobs throughout the years without speaking to anyone), so besides the limitations on what there is to do around town—and having to snipe for groceries—not a whole lot has changed for me due to the lockdown. Although, it did give me the chance to tell my more extroverted friends “welcome to my domain.” And as for productivity, it did witness a spike in the first week, but it has since slowed back down to its original pace.
Are you working on anything at the moment?
For the past year I’ve been working on my next novel, along with the occasional short story here and there when I feel I need a break from the grand narrative.
Canyou tell us anything about the new novel at this stage, or is it top secret?
Unlike Arcadia, my current WIP (titled False Cathedrals) will have a more contemporary setting; taking place in 2012 in the fictional town of Midtown, Vermont—as well as a few chapters taking place in the mid-to-late 90s. At the heart of the novel is Daniel Bloom, a middle-aged psychotherapist who can’t seem to escape the haunting memory of his first wife, Karen; even after fourteen years have passed since her untimely demise at the hands of a crazed shooter, now dormant. Hoping to distract himself, Daniel puts all his focus into helping a patient find lucidity after well over a decade of uncertainty. But it doesn’t help when he hears that the shooter has started a new, violent rampage.